Read Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's "Die Klavierspielerin", Günter Grass's "Ein weites Feld", and Herta Müller's "Niederungen" und "Reisende auf einem Bein"

Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's "Die Klavierspielerin", Günter Grass's "Ein weites Feld", and Herta Müller's "Niederungen" und "Reisende auf einem Bein"

Morwenna Symons

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Description:In the structuring of literary texts that refer extensively to previous texts, one issue is paramount: the space accorded to the reader. In entering into the intertextual debate, the reader is called upon both to corroborate the authority of the text and the power of literary continuity that the intertext embodies, and to assert his or her independence from this same authority in the very act of responding individually to its multiple significations. This study of four literary texts, all very distinct in form and method, analyses the dynamic relationship between reader, text and intertext and suggests that it is in the effectiveness of this manoeuvring, by and of the reader, that the intertextual narrative can be shown to find its force. In Jelineks Die Klavierspielerin the pornographic, psychoanalytic and musical intertexts form a discursive nexus of effects, central to the construction of a highly ironic narrative voice that unsettles and energizes the reader into critical response. The intertextual game of Ein weites Feld creates a text that is structurally and thematically out of control: by this means Grass brings the reader into confrontation with the celebratory discourses of German reunification. Herta Mullers depiction of the village idyll in Niederungen embraces and disrupts the Heimat genre. The quotational mode, and our discomfort in responding to it, allows for the critical articulation of questions of authority and control with which the stories are concerned, while Mullers use of a Calvino intertext in Reisende auf einem Bein is fundamental in the development of a central character whose elusive quality reflects (on) thematic issues addressed by the text.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's "Die Klavierspielerin", Günter Grass's "Ein weites Feld", and Herta Müller's "Niederungen" und "Reisende auf einem Bein". To get started finding Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's "Die Klavierspielerin", Günter Grass's "Ein weites Feld", and Herta Müller's "Niederungen" und "Reisende auf einem Bein", you are right to find our website which has a comprehensive collection of manuals listed.
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ISBN: 1904350437

Description: In the structuring of literary texts that refer extensively to previous texts, one issue is paramount: the space accorded to the reader. In entering into the intertextual debate, the reader is called upon both to corroborate the authority of the text and the power of literary continuity that the intertext embodies, and to assert his or her independence from this same authority in the very act of responding individually to its multiple significations. This study of four literary texts, all very distinct in form and method, analyses the dynamic relationship between reader, text and intertext and suggests that it is in the effectiveness of this manoeuvring, by and of the reader, that the intertextual narrative can be shown to find its force. In Jelineks Die Klavierspielerin the pornographic, psychoanalytic and musical intertexts form a discursive nexus of effects, central to the construction of a highly ironic narrative voice that unsettles and energizes the reader into critical response. The intertextual game of Ein weites Feld creates a text that is structurally and thematically out of control: by this means Grass brings the reader into confrontation with the celebratory discourses of German reunification. Herta Mullers depiction of the village idyll in Niederungen embraces and disrupts the Heimat genre. The quotational mode, and our discomfort in responding to it, allows for the critical articulation of questions of authority and control with which the stories are concerned, while Mullers use of a Calvino intertext in Reisende auf einem Bein is fundamental in the development of a central character whose elusive quality reflects (on) thematic issues addressed by the text.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's "Die Klavierspielerin", Günter Grass's "Ein weites Feld", and Herta Müller's "Niederungen" und "Reisende auf einem Bein". To get started finding Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's "Die Klavierspielerin", Günter Grass's "Ein weites Feld", and Herta Müller's "Niederungen" und "Reisende auf einem Bein", you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's "Die Klavierspielerin", Günter Grass's "Ein weites Feld", and Herta Müller's "Niederungen" und "Reisende auf einem Bein"

Room for Manoeuvre: The Role of Intertext in Elfriede Jelinek's "Die Klavierspielerin", Günter Grass's "Ein weites Feld", and Herta Müller's "Niederungen" und "Reisende auf einem Bein"

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