Description:This book explores the reproduction of colonialism at the International Criminal Court (ICC), and examines International criminal law (ICL) vs the Black body through an immersive format of Art, Music, Poetry, and Architecture and post-colonial/critical race theory lens.Taking a multi-disciplinary approach, the book interrogates the operationalization of the Rome statute to detail a Eurocentric hegemony at the core of ICL. It explores how colonialism and slavery have come to shape ICL, exposing the perpetuation of the colonial and warns that it heralds ominous contemporary and future implications for Africa. As currently envisaged and acted out at the ICC, this law is founded on deceptive and colonial ideas of 'what is wrong' in/with the world. The book finds that the contemporary ICL regime is founded on white supremacy that corrupts the law's interaction with the African. The African is but a unit utilised by the global elite to exploit and extract. From time to time, these alliances disintegrate with ICL becoming a retaliatory tool of choice. What is at stake, is power, not justice. This power is hierarchical with Eurocentrism at the top throughout modern history. Colonialism is seen not to have ended but to have regerminated through the foundation of the 'independent' African state. The ICC reproduces the colonial by use of European law, and ultimately the over representation of the black accused. To conclude, the book provides a liberated African forum that can address conflicts in the content, with a call for the end of the ICC's involvement in Africa. The demand is made for an African Court that utilises non-colonising African norms which are uniquely suited to address local conflicts.Multidisciplinary in nature, this book will be of great interest to students and scholars of International Criminal Law, Criminal Justice, Human Rights Law, African Studies, Global Social Justice, Sociology, Anthropology, Postcolonial Studies, and Philosophy.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Black Iconography and Colonial (Re)Production at the ICC: (In)Dependence Cha Cha Cha?. To get started finding Black Iconography and Colonial (Re)Production at the ICC: (In)Dependence Cha Cha Cha?, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
272
Format
PDF, EPUB & Kindle Edition
Publisher
Routledge
Release
2022
ISBN
1000772187
Black Iconography and Colonial (Re)Production at the ICC: (In)Dependence Cha Cha Cha?
Description: This book explores the reproduction of colonialism at the International Criminal Court (ICC), and examines International criminal law (ICL) vs the Black body through an immersive format of Art, Music, Poetry, and Architecture and post-colonial/critical race theory lens.Taking a multi-disciplinary approach, the book interrogates the operationalization of the Rome statute to detail a Eurocentric hegemony at the core of ICL. It explores how colonialism and slavery have come to shape ICL, exposing the perpetuation of the colonial and warns that it heralds ominous contemporary and future implications for Africa. As currently envisaged and acted out at the ICC, this law is founded on deceptive and colonial ideas of 'what is wrong' in/with the world. The book finds that the contemporary ICL regime is founded on white supremacy that corrupts the law's interaction with the African. The African is but a unit utilised by the global elite to exploit and extract. From time to time, these alliances disintegrate with ICL becoming a retaliatory tool of choice. What is at stake, is power, not justice. This power is hierarchical with Eurocentrism at the top throughout modern history. Colonialism is seen not to have ended but to have regerminated through the foundation of the 'independent' African state. The ICC reproduces the colonial by use of European law, and ultimately the over representation of the black accused. To conclude, the book provides a liberated African forum that can address conflicts in the content, with a call for the end of the ICC's involvement in Africa. The demand is made for an African Court that utilises non-colonising African norms which are uniquely suited to address local conflicts.Multidisciplinary in nature, this book will be of great interest to students and scholars of International Criminal Law, Criminal Justice, Human Rights Law, African Studies, Global Social Justice, Sociology, Anthropology, Postcolonial Studies, and Philosophy.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Black Iconography and Colonial (Re)Production at the ICC: (In)Dependence Cha Cha Cha?. To get started finding Black Iconography and Colonial (Re)Production at the ICC: (In)Dependence Cha Cha Cha?, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.