Read Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞

Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞

Wai Siam Hee

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Description:This is the first book in the world to focus on contemporary Malaysian Chinese-language film. This book applies accented cinema theory, the subject of recent interest across the globe, to explore how a group of Malaysian directors use accented style, the Sinophone, or auteur theory to perform various linguistic, local, national, cultural, class, and gender/sexual identities against the dual context of global cosmopolitanism and local Third World post-colonialism. The book also explores how these films use diaspora or anti-diaspora discourses to respond to or overcome signs of state failure in a post-Malaysian context. The book observes that Malaysian Chinese diaspora discourse is not exclusively composed of anti-localization writings; equally, Malaysian Chinese anti-diaspora discourse is not necessarily a state-worshipping, visionary nationalism. The book also incorporates first hand materials from my interviews with directors and European film festival consultants and programmers, and carries out fieldwork on the production, consumption, and dissemination of Chinese-language film inside and outside of Malaysia to provide a deeper understanding of the rise of Chinese-language film in post-Malaysia.電影研究一直比較偏重以從敘事、影像或美學等幾個層面進行文本和理論分析，華語電影中的土腔、語言等聲音元素，卻少有研究觸及。《華語電影在後馬來西亞：土腔風格、華夷風與作者論》探討一批在馬來西亞出生成長的電影導演在後馬來西亞語境下如何在國內外催生一組揉合土腔風格、華夷風或作者論的華語電影。結合近年在全球興起的土腔電影和華語語系，此書探討當代馬來西亞土腔電影文化中的華語、方言和多語現象，這些交織著各種土腔、多元聲音和多元拼字的揉雜化語言景觀，如何在離散和反離散的邊界內外進行去疆界化和再疆界化的同時，也在全球化的大都會主義和本土第三世界後殖民的雙重語境下，操演諸種涉及本土、國族、文化、階級和性╱別的身分認同？這些離散電影和反離散電影又是如何在後馬來西亞語境下運用華夷風的聲音和土腔去回應或超克「國家失敗」的預兆？　　作者許維賢指出，無論是從蔡明亮到廖克發不時重返馬來西亞歷史現場的離散電影，抑或從阿牛到黃明志對離散去疆界化的土腔電影，再回到本土雅斯敏、陳翠梅和劉城達對國族叩問的反離散電影，馬華的離散論述不盡然是反本土化的書寫；馬華的反離散論述也不必然就是對國家仰慕和充滿願景的國族主義。　　《華語電影在後馬來西亞》同時收錄作者走訪多位導演和歐洲影展選片人的第一手資料，對華語電影在馬來西亞內外的生產、消費和傳播進行田野調查，從而更深入理解華語電影在後馬來西亞的崛起。We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞. To get started finding Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Pages: 392

Format: PDF, EPUB & Kindle Edition

Publisher: Linking Press 聯經出版社

Release: 2018

ISBN: 9570850981

Description: This is the first book in the world to focus on contemporary Malaysian Chinese-language film. This book applies accented cinema theory, the subject of recent interest across the globe, to explore how a group of Malaysian directors use accented style, the Sinophone, or auteur theory to perform various linguistic, local, national, cultural, class, and gender/sexual identities against the dual context of global cosmopolitanism and local Third World post-colonialism. The book also explores how these films use diaspora or anti-diaspora discourses to respond to or overcome signs of state failure in a post-Malaysian context. The book observes that Malaysian Chinese diaspora discourse is not exclusively composed of anti-localization writings; equally, Malaysian Chinese anti-diaspora discourse is not necessarily a state-worshipping, visionary nationalism. The book also incorporates first hand materials from my interviews with directors and European film festival consultants and programmers, and carries out fieldwork on the production, consumption, and dissemination of Chinese-language film inside and outside of Malaysia to provide a deeper understanding of the rise of Chinese-language film in post-Malaysia.電影研究一直比較偏重以從敘事、影像或美學等幾個層面進行文本和理論分析，華語電影中的土腔、語言等聲音元素，卻少有研究觸及。《華語電影在後馬來西亞：土腔風格、華夷風與作者論》探討一批在馬來西亞出生成長的電影導演在後馬來西亞語境下如何在國內外催生一組揉合土腔風格、華夷風或作者論的華語電影。結合近年在全球興起的土腔電影和華語語系，此書探討當代馬來西亞土腔電影文化中的華語、方言和多語現象，這些交織著各種土腔、多元聲音和多元拼字的揉雜化語言景觀，如何在離散和反離散的邊界內外進行去疆界化和再疆界化的同時，也在全球化的大都會主義和本土第三世界後殖民的雙重語境下，操演諸種涉及本土、國族、文化、階級和性╱別的身分認同？這些離散電影和反離散電影又是如何在後馬來西亞語境下運用華夷風的聲音和土腔去回應或超克「國家失敗」的預兆？　　作者許維賢指出，無論是從蔡明亮到廖克發不時重返馬來西亞歷史現場的離散電影，抑或從阿牛到黃明志對離散去疆界化的土腔電影，再回到本土雅斯敏、陳翠梅和劉城達對國族叩問的反離散電影，馬華的離散論述不盡然是反本土化的書寫；馬華的反離散論述也不必然就是對國家仰慕和充滿願景的國族主義。　　《華語電影在後馬來西亞》同時收錄作者走訪多位導演和歐洲影展選片人的第一手資料，對華語電影在馬來西亞內外的生產、消費和傳播進行田野調查，從而更深入理解華語電影在後馬來西亞的崛起。We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞. To get started finding Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞

Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞

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