Read The Heretical Archive: Digital Memory at the End of Film

The Heretical Archive: Digital Memory at the End of Film

Domietta Torlasco

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Description:"The Heretical Archive" examines the relationship between memory and creation in contemporary artworks that use digital technology while appropriating film materials. Domietta Torlasco argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, such works define a notion of archiving not as the passive preservation of audiovisual signs but as an intervention and the creative rearticulation of cinema's perceptual and political textures. Connecting psychoanalysis, phenomenology, and feminist theory in innovative ways, Torlasco analyzes cutting-edge digital works that engage with the past of European cinema and visual culture, including video installations by Monica Bonvicini ("Destroy She Said") and Pierre Huyghe ("The Ellipsis"), Agnes Varda's film "The Gleaners and I," Marco Poloni's multimedia installation "The Desert Room," and Chris Marker's CD-ROM "Immemory." Torlasco's central claim is that if the archives of psychoanalysis and cinema have long privileged the lineage that runs from Oedipus to Freud, the archives of the digital age--what she calls the "heretical archive"--can help us imagine an unruly, porous, multifaceted legacy, one in which marginal figures return to speak of lost life as much as of life that demands to be lived.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Heretical Archive: Digital Memory at the End of Film. To get started finding The Heretical Archive: Digital Memory at the End of Film, you are right to find our website which has a comprehensive collection of manuals listed.
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ISBN: 0816681104

Description: "The Heretical Archive" examines the relationship between memory and creation in contemporary artworks that use digital technology while appropriating film materials. Domietta Torlasco argues that these digital films and multimedia installations radically transform our memory of cinema and our understanding of the archive. Indeed, such works define a notion of archiving not as the passive preservation of audiovisual signs but as an intervention and the creative rearticulation of cinema's perceptual and political textures. Connecting psychoanalysis, phenomenology, and feminist theory in innovative ways, Torlasco analyzes cutting-edge digital works that engage with the past of European cinema and visual culture, including video installations by Monica Bonvicini ("Destroy She Said") and Pierre Huyghe ("The Ellipsis"), Agnes Varda's film "The Gleaners and I," Marco Poloni's multimedia installation "The Desert Room," and Chris Marker's CD-ROM "Immemory." Torlasco's central claim is that if the archives of psychoanalysis and cinema have long privileged the lineage that runs from Oedipus to Freud, the archives of the digital age--what she calls the "heretical archive"--can help us imagine an unruly, porous, multifaceted legacy, one in which marginal figures return to speak of lost life as much as of life that demands to be lived.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Heretical Archive: Digital Memory at the End of Film. To get started finding The Heretical Archive: Digital Memory at the End of Film, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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The Heretical Archive: Digital Memory at the End of Film

The Heretical Archive: Digital Memory at the End of Film

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